Schreiben & Enter
Bariton
Faninal
in „Der Rosenkavalier“ by R.Strauss
Teatro Colón, Buenos Aires
Conductor: Alejo Pérez
Director: Robert Carsen
2017
Don Alfonso
in „Cosi fan tutte“ by W.A. Mozart
Teatro Argentiono de La Plata
Conductor: Ruben Dubrovsky
Director: Ruben Szuchmacher
2016
Klingsor
in „Parsifal“ by Richard Wagner
Teatro Colón, Buenos Aires
Conductor: Alejo Perez
Director: Marcelo Lombardero
2015
Klingsor
in „Parsifal“ by Richard Wagner
Teatro Colón, Buenos Aires
Conductor: Alejo Perez
Director: Marcelo Lombardero
2015
Holländer
in „Der fliegende Holländer“
by Richard Wagner
Teatro Argentino, La Plata
Conductor: Federico Victor Sardella
2014
John Claggart
in „Billy Budd“ by Benjamin Britten
Theatro Municipal do Rio de Janeiro
Conductor: Isaac Karabtchevsky
Director: Marcelo Lombardero
2013
Alberich
in „Rheingold“ by Richard Wagner
Teatro Argentiono, La Plata
Conductor: Alejo Perez
Director: Marcelo Lombardero
2012
„Time Out“
based on „La voix humaine“
by Poulenc/Cocteau
Director: Manfred Killer
2011
Tsar Ivan
in „Candide“ by Leonard Bernstein
Teatro di San Carlo Napoli
Conductor: Jeffrey Tate
Director: Lorenzo Mariani
2007
Goya
in „Terrible Mouth“ by Nigel Osborne
Musikwerkstatt Wien
Conductor: Huw Rhys James
Director: Kerstin Poehler
2004
“The vocal and dramatic accomplishments of the artists in the lead roles were superb…. Hector Guedes’ portrayal as Goya was absolutely ideal.
Wiener Zeitung
Dmitri
in „Dmitri“ by Luca Lombardi
Oper Leipzig, Germany
Mucical Dircetor: Martin Fratz
2002
“Hector Guedes offered an impressive interpretation of the highly difficult role of Dmitri. He was able to convey to the audience the completely tortured existence of the artist (Dmitri) both with his singing, as with his acting.“
Opernglas
“The roles were cast brilliantly. Hector Guedes is a highly expressive Dmitri.“
Frankfurter Allgemeine Zeitung
“The most impressive person on stage was Hector Guedes, as a majestic Gloucester.“
Salzburger Nachrichten
“The performance/singers expressed the lunacy totally through their vocal capacity, with sounds never heard before. They whimpered, howled, and growled, in a manner that was truly shattering to the core. It reminded one of the vocal practices of the ancient Japanese Theater. Hector Guedes as Gloucester, was fantastic and memorable.“
Süddeutsche Zeitung
Gloucester
in „Vision of Lear“ by Toshio Hosokawa
Carl-Orff-Hall, Munich/Germany
1997
“Hector Guedes as Gloucester, in the performance at the Gasteig, Carl-Orff-Hall, was equally as powerful vocally as physically.“
Tageszeitung, München
Kelvin
in „Solaris“ by Michael Obst
performed at the Biennale Munich
1996
“The role of Kelvin was performed by Hector Guedes, who sang with a beautifully modulated Baritone.“
Münchner Merkur
